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Which European director referred to the moving camera as "the unchained camera" and is known for pioneering its use?


A) F. W. Murnau
B) Otto Preminger
C) Alfred Hitchcock
D) Pedro Almodóvar
E) Lars von Trier

F) A) and C)
G) B) and C)

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A director chooses the ________ frame when the characters in the story are restricted in their movements, often due to outside forces, such as social or economic.


A) balanced
B) composed
C) open
D) asymmetrical
E) closed

F) B) and E)
G) C) and E)

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The additive process to render color images on film stock was replaced by the ________ process in the 1930s.


A) monochromatic
B) hand-tinting
C) stenciling
D) toning
E) subtractive

F) A) and B)
G) C) and E)

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Citing specific examples, how did most filmmakers create the illusion of depth in films prior to Citizen Kane (1941)? What were some of the techniques credited to Greg Toland that helped change those approaches?

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By using a combination of deep-space com...

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What is the primary goal of a cinematographer? In what ways is a cinematographer's method in achieving that goal similar to that of a painter or writer?

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The primary goal of a cinematographer is...

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If you are a cinematographer and the director asks you to photograph just the lips of an actor, what type of shot is she asking for?


A) personal
B) point-of-view
C) extreme close-up
D) close-up
E) medium

F) A) and B)
G) A) and C)

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The slow-motion power walk was popularized in which of the following films?


A) Amélie
B) Reservoir Dogs
C) Rumble Fish
D) The Birds
E) Lucy

F) A) and B)
G) None of the above

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"Depth of field" refers to the distances in front of the camera (and its lens) in which the subjects are


A) distorted.
B) out of focus.
C) in the frame.
D) dwarfed by the environment.
E) in apparent sharp focus.

F) A) and D)
G) B) and E)

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In Moonlight, director Barry Jenkins and cinematographer James Laxton chose to shoot in a ________ to help the actors immerse themselves in a dramatic situation without the distraction of cutting and slating new takes.


A) codec
B) studio
C) color
D) Dutch angle
E) 8mm

F) A) and C)
G) C) and D)

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To achieve an incongruous dreamlike quality that placed viewers in the protagonist's solitary perspective, the filmmakers of Moonlight (2016) shot virtually every scene using only a


A) single fill light.
B) single key light.
C) single backlight.
D) single three-point lighting system.
E) single spotlight.

F) A) and E)
G) C) and D)

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The change of the point of focus from one subject to another during a shot is known as a


A) focal-length shift.
B) change in perspective.
C) rack focus.
D) wandering.
E) depth change.

F) C) and D)
G) A) and C)

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Darren Aronofsky's stylized and allegorical horror film Mother! (2017) is, by design, ________ film.


A) a closed
B) a documentary
C) an open
D) a factual
E) both an open and closed

F) D) and E)
G) None of the above

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What do you call the fragments of image information that a digital camera captures with its electronic sensor?


A) silver halide crystals
B) pixels
C) gauges
D) grips
E) gaffers

F) A) and D)
G) C) and E)

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What technique keeps all three planes of the film frame in sharp focus?


A) wide-angle composition
B) deep-focus cinematography
C) deep-space composition
D) Russian formalism
E) spatial balance

F) A) and B)
G) B) and E)

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Why is it unusual that protagonist Marshal Will Kane in High Noon (1952) wears a black hat?


A) It makes it difficult to see his eyes.
B) It was uncomfortable for the film's star, Gary Cooper.
C) It is not what was described in the screenplay.
D) Dark tones are traditionally associated with antagonists.
E) It is not part of an authentic wardrobe of nineteenth-century law enforcement officers.

F) C) and D)
G) A) and B)

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To reveal the inner thoughts of Nicole Kidman's character, Anna, in Birth (2004) , the director combined what two cinematographic tools?


A) deep focus and fast motion
B) the close-up and the long take
C) the close-up and the high angle
D) the Steadicam and slow motion
E) a single character's POV and a zoom-in

F) B) and E)
G) None of the above

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The vertical movement of a camera mounted to the head of a stationary tripod is a


A) tilt shot.
B) dolly shot.
C) pan shot.
D) zoom shot.
E) handheld shot.

F) C) and E)
G) A) and D)

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A ________ is an unbroken span of action capture by an uninterrupted run of the camera.


A) scene
B) sequence
C) shot
D) slate
E) setup

F) B) and E)
G) B) and D)

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The use of color film stock for John Ford's The Searchers (1956) was probably due less to aesthetics than to.


A) the scarcity of black-and-white film stock following World War II.
B) industry trends.
C) advances in camera technology.
D) budgetary concerns.
E) John Wayne's contract demands.

F) B) and E)
G) A) and D)

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The opening of Orson Welles's Touch of Evil (1958) features a lengthy, continuous ________ shot.


A) digital video
B) stationary camera
C) trackless dolly
D) crane
E) pan

F) A) and D)
G) All of the above

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